# Complete generation prompts

Fill this source map from the locked photograph before either generation call. Use the same map and exact source path for both panels.

```text
LOCKED SOURCE: [exact local path]
SUBJECT: [primary subject and secondary evidence]
IDENTITY ANCHORS: [2–4 minimum recognition cues]
DOMINANT MASSES: [relative size and normalized position]
STRUCTURAL CARRIER: [vertical / horizon / diagonal / frame / curve / grid]
DIRECTIONAL FLOW: [where movement or attention travels]
RHYTHM: [count, repetition, spacing, clusters, pauses]
OCCLUSION + DEPTH: [overlap and foreground/middle/background order]
NEGATIVE SPACE: [important open regions]
LIGHT: [direction, brightest opening, softness, temperature]
PALETTE ROLES: [dominant field, dark structure, pale relief, factual accent]
MATERIAL MEMORY: [stone / water sparkle / foliage haze / brick / metal / other]
TEMPORAL CUE: [stillness / drift / passing blur / growth / glance / distance]
EMOTIONAL TEMPERATURE: [quiet, suspended, luminous, humid, distant, etc.]
```

## TOP — WHAT I SAW

```text
TASK
Generate only the TOP panel for a Starryear-Threefold-Memory artwork. Output one complete horizontal 16:9 abstract image with no border and no typography. This panel will later be joined programmatically above the untouched original photograph.

INPUT ROLE LOCK
Image 1 is the user's locked original photograph and the sole CONTENT SOURCE. It is not an edit target. Do not embed, crop, reproduce, retouch, extend, or restyle the photograph itself. If additional assets/examples are supplied, they are STYLE-AND-STRUCTURE REFERENCES ONLY. They demonstrate tactile full-field abstraction and must never contribute their subjects, people, animals, landmarks, palette, or layout.

CORE OPERATION
DECONSTRUCT -> SELECTIVE PRESERVATION -> EXPRESSIVE RECONSTRUCTION.
Begin from evidence, not from a fashionable style. Separate the photograph into identity anchors, dominant masses, structural axes, directional flow, repetition, overlap, light, color roles, material evidence, and negative space. Remove photographic surface detail and low-information clutter. Rebuild what the eye holds first as an authored abstract perception.

SOURCE MAP
[paste the completed source map]

RECOGNITION CONTRACT
Preserve only the smallest two to four cues needed to sense this exact subject. For architecture, retain a decisive axis, tier rhythm, opening, roof/eave cadence, or silhouette break rather than windows and ornament. For animals or people, retain observed count, gaze/stance rhythm, spacing, and occlusion without inventing hidden anatomy. For plants, preserve growth direction, stem intervals, petal radiation, leaf clustering, and seasonal color. For water and light, preserve current direction, sparkle density, reflection path, and railing or shore trajectory.

FULL-FIELD COMPOSITION
Activate the entire 16:9 field. Use one primary family of large masses and no more than two supporting families such as lines, arcs, dots, repeated units, translucent layers, cut-paper fields, dry-brush transfers, or restrained fragments. Build a clear hierarchy: dominant field, recognition anchors, directional carrier, supporting rhythm, and breathing space. Do not place one lonely icon in the center. Do not scatter filler merely to make the frame busy.

MATERIAL LANGUAGE
Permit tactile painterly, print-like, paper, brushed, matte collage, rubbed pigment, or controlled translucent character when it translates observed material or atmosphere. Texture must remain subordinate to source evidence. Do not create generic vintage paper, random grunge, distressed wallpaper, scrapbook effects, tape, torn-photo collage, or ornamental noise.

COLOR + LIGHT
Derive every color from Image 1. Preserve the source's temperature and luminance hierarchy. Reduce and organize the palette rather than recoloring decoratively. A small high-value accent is allowed only when the photograph contains a factual focal color such as a red coat, golden leaf, reflected highlight, eye, flower, or architectural trim. Preserve the original direction of light and location of the brightest opening.

TARGET FEELING
The first reading is a confident, material, full-field abstract composition. The second reveals the photographed subject through minimum anchors. It should feel like what was intensely seen, never like a photograph converted by a filter.

STRICTLY AVOID
photograph; photo filter; realistic redraw; complete outline; miniature illustration; literal tracing; vectorized scene; posterization; generic Japanese symbols; arbitrary sun, moon, or birds; invented people, animals, plants, buildings, or landmarks; unrelated accent colors; isolated centered logo; decorative infographic; unsupported symmetry; text; letters; numbers; labels; signature; watermark; border; divider; mockup.

OUTPUT
One text-free horizontal 16:9 TOP panel only. Do not output the original photograph, a triptych, analysis, explanation, title, or alternatives.
```

## BOTTOM — WHAT STAYED

```text
TASK
Generate only the BOTTOM panel for the same Starryear-Threefold-Memory artwork. Output one complete horizontal 16:9 abstract memory system with no border and no typography. It will later be joined programmatically below the same untouched photograph.

INPUT ROLE LOCK
Image 1 is the same locked original photograph and the sole CONTENT SOURCE. Do not edit, embed, recreate, or replace it. Any supplied assets/examples are STYLE-AND-STRUCTURE REFERENCES ONLY. Learn from their route, node, current, grid, constellation, interval, and full-field organization; never copy their subjects, compositions, symbols, or colors.

CORE OPERATION
DECONSTRUCT -> DISTILL -> RELATIONAL RECONSTRUCTION.
Select evidence suggesting time, distance, repetition, passage, pause, direction, growth, occlusion, or spatial memory. Reconstruct it as an imagined memory atlas. Preserve dominance, left/right and above/below order, direction, count groups, spacing, gaps, overlap, and depth hierarchy without rebuilding the scene.

SOURCE MAP
[paste the same completed source map]

EVIDENCE-TO-MARK PLAN
Complete four to seven mappings before generation:
- [source fact] -> [route / node / field / interval / grid / fragment + placement + scale]
- [source fact] -> [minimal memory mark]
Remove every mark that cannot finish: "This exists because the photograph contains ____."

MEMORY VOCABULARY
Choose one primary system and at most two supporting systems: routes, tracks, currents, or contours for direction and passage; nodes, rings, constellations, dots, or interval chains for count and recurrence; grids, frames, stacked fields, or gates for architecture and occlusion; drifting fragments, compressed clusters, fades, or isolated color residues for afterimage. A simplified subject anchor may appear only when it operates as a coordinate inside the system.

DIFFERENCE FROM THE TOP
Do not reuse the top layout or rearrange its finished shapes. The top answers "What did I notice?" through subject, color, light, shape, and material. The bottom answers "What stayed with me?" through space, time, distance, repetition, trace, and relationship. Share palette DNA and emotional temperature, but use visibly different organizing logic.

FULL-FIELD COMPOSITION
Let the atlas travel across the complete field with intentional density changes, pauses, crossings, and empty regions. Preserve the source's main directional carrier and asymmetry. Use hierarchy rather than uniform network density. Avoid both a tiny centered diagram and a wall-to-wall pattern with no silence.

COLOR + MATERIAL
Use a restrained palette derived only from Image 1. Permit paper, pigment, brushed, matte print, translucent wash, or collage-like material when it supports the remembered atmosphere. Use an observed focal color as a coordinate or residue, never arbitrary decoration. Keep light and emotional temperature consistent with the source and top panel.

SUBJECT-SPECIFIC TRANSLATIONS
Architecture may become tier intervals, axes, gates, roof rhythms, or route intersections. Water may become currents, sparkling node fields, shore/rail trajectories, and reflected paths. Plants may become growth networks, stem lines, leaf intervals, petal constellations, or seasonal color fields. Animals and people may retain count, gaze nodes, body rhythm, separation, and observed occluding frames without illustrated anatomy. Street scenes may retain built grid, doorway, light path, movement blur, human pause, and shadow direction.

TARGET FEELING
The panel resembles the invisible organization left by the journey: an atlas, circuit, current, constellation, or field of traces that could only have come from this photograph. Keep it poetic and tactile, not technical or corporate.

STRICTLY AVOID
literal geographic map; labels; transit-map imitation; technical blueprint; generic data visualization; miniature redraw; realistic subject; complete scene; second version of the top; arbitrary network; decorative diagram; invented symbols or landmarks; unsupported rearrangement; generic red sun; text; letters; numbers; coordinates; signature; watermark; border; divider; mockup.

OUTPUT
One text-free horizontal 16:9 BOTTOM panel only. Do not output the original photograph, a triptych, analysis, explanation, title, or alternatives.
```

## Correction prompts

- Too realistic: `Remove photographic surface detail and complete contours. Keep only the named identity anchors, structural carrier, palette hierarchy, and relational rhythm.`
- Too generic: `Delete every unsupported mark. Restore the source-specific count, position, direction, overlap, light opening, and factual accent.`
- Center icon: `Expand the relationship system across the full field using source-derived rhythm and asymmetrical negative space.`
- Panels repeat: `Rebuild the bottom from route, interval, time, distance, and occlusion evidence. Do not reuse the top masses or layout.`
- Excess texture: `Keep tactile material only where it translates observed surface or atmosphere. Remove random grunge and decorative distress.`
- Unwanted text: `Regenerate with zero typography, lettering, symbols, numbers, signatures, or watermarks.`
